2016 DESIGNERS COLLECTIONS 2016
http://www.vogue.co.uk/
Stella McCartney
STELLA MCCARTNEY opened her show this morning with a series of stretchy tube looks in striped and plaid jersey. They were sporty; some comprised of buttoned-up preppy polo shirts and maxi skirts and others took shape as racer-back dresses. In punchy hues of green, red and yellow they were a lively opener. Stella McCartney referred to them as a true celebration of summer, exuding a vivacious and liberated spirit.
The designer also offered up some very appealing raw indigo denim looks (rigid, non-stretch denim is the big news right now, and not just on the runways but spotted on show-goers too). She presented denim midi-skirts with side slits for ease of movement, drop-crotch wide-leg jeans and off-the-shoulder zipped up tops, all with contrast white stitching.
There were some tricky elements, specifically the zigzagging elliptical hemlines created from layering a plissé pleated top over a plissé pleated midi-skirt in contrast zingy colours, like black, orange, cobalt and acid yellow. Colours aside, unless you’re 5ft 10 and reed thin, most women might take an issue with a silhouette as challenging as this.
The thing about a Stella McCartney collection is that you can look at these clothes, pick them up in their entirety and slot them back into any spring/summer season, almost regardless of year. These clothes don’t have much correlation or context to what else is going on in fashion’s zeitgeist: Stella does Stella’s thing – here, a pretty summer dress with sporty mesh inserts, and oversize mannish tailoring comes as standard – but that isn’t necessarily a criticism, certainly not for the Stella customer who heads here with those wardrobe staples in mind.
SPRING/SUMMER 2016 READY-TO-WEAR
Stella McCartney
Alexander McQueen
SARAH
BURTON has long been credited as the light source at McQueen. In previous
seasons it’s been subtle, like a crack in a window but bit by bit that window
has widened. Tonight, it was thrown wide open.
Her
Alexander McQueen takes a gentler, more feminine approach and that was no truer
than in her collection this evening: no gimp masks, no crazy hair styling, no
set to distract. What she presented was a beautiful, much easier rendering of
the McQueen aesthetic.
The
people of London's Spitalfields from the late 17th Century and the Huguenot
migrants who arrived as religious refugees were the starting point for Burton,
they brought with them a skill in weaving and floral design. Those artisanal
crafts were mined to the hilt; along with a love of folklore and the idea of
heirloom. Fabrics looked aged and decayed, from gentle frays in the surface of
washed silk gowns to jeans with exaggerated cuffs that were shredded to the
extreme.
It
was bohemian in parts, exotic in others - those Indian-mirrored ivory frock
coats being the best example - and above all, deeply romantic. From the
Victoriana silhouettes with corseted bodices to the chintz prints comprising
hand-painted roses and forget-me-nots, even the little nappa leather jackets
had floral embroideries and sprouted tiny ruffles along the shoulder seams.
There
was an undercurrent of fetishism here but it was tame and more refined in its
execution; silver chain harnesses were draped loosely around the body over
razor-sharp black tailoring. But if show-goers were expecting an edge, or even
a hint of agitation, it didn't materialise. This was an ultra-romantic version
of the McQueen woman, best illustrated with the closing look: a shredded
ruffled shell pink gown suspended by the skimpiest of spaghetti straps, and
decorated in tiny covered buttons snaking around the torso and hips. Sublime
and a sure contender for red carpets the world over.
Sarah
Harris
Alexander McQueen
SPRING/SUMMER 2016 READY-TO-WEAR
SARAH BURTON
Andrew Majtenyi
Andrew Majtenyi
Unlike most fashion designers who start with a sketch,
Andrew Majtenyi gets his inspiration from the textures, colour and feel of the
fabric.
Andrew has designed for the film and television, and has has
worked on numerous productions.
London was the obvious next step setting up a shop in
Clerkenwell in 2009 and showing during London Fashion Week.
Over the years he learned about filmmaking, a skill he now
uses to write and direct the film shorts that open his catwalk shows.
He apprenticed under master tailor Vincenzo Cardone in late
19 th and 20 th century
tailoring, Madame Sophie who taught him advanced draping techniques, and honed
his couture skills while working with the National Ballet of Canada under Oscar
nominated and Tony award winner, Santo Loquasto. These theatrical influences
are seen in the cut, fit and finishing of each piece.
Andrew Majtenyi Biography by: Andrew
Majtenyi
Andrew Majtenyi
SPRING/SUMMER 2016 READY-TO-WEAR
Zuhair Murad
Zuhair Murad is the epitome of Middle Eastern glamour, fashion and
design. This Lebanese breakthrough in the International fashion scene has lead
Murad to become an icon to his peers and audiences from arount the world. His
unique creations that define oriental exxence and beauty have made their way
towards all the major podiums, boutiques, and personalities.
Shortly after high school, Murad left
Leabanon and moved to Paris where he obtained his degree in fashion. In 1995 he
returned home to open his first atelier paving the way towards his thriving
career with his illustrious designs and distinctive themes.
In 1999 he made his first appearance on the catwalks of Rome with
an astounding collection that led to his participation in the Italian calendar.
Chosen by L’agenzia per la Moda to appear at the official opening of the 2001
festival in Rome. Murad quickly became known as one of the best designers in
Italy. Not only has Murad made his mark on the elite Italian catwalks but also
on the renowned French platforms as well as the rest of the key fashion cities.
He has dressed many of today’s top models and celebrities and his creations can
be found in all the major capitals.
The international media has declared him as ‘the star rocketing
designer’ and ‘one of the most promising young designers for the new era’ due
to his unique style and creativity which ensure his ongoing successful career.
Furthermore during his widely acclaimed ‘Free Spirit’ show in Paris he was
conveyed as ‘Tomorrow’s Star’ by reputed leaders in the business.
What initially began as a young boy’s hobby with little sketches
and pictures painted on paper and canvas has now grown into a small fashion
empire with strong regional recognition and a growing global reputation. ‘I
started from scratch and worked my way up’, says the extravagant Murad who’s
adventurous and aspiring nature have lead him to where he is today. Zuhair
Murad is the perfect example of how ambition perseverance and creativity can
take you strutting through the real and eclectic runway of life.
What first starte das a one man show in 1995 has rapidly booomed
into a small fashion empire with world wide recogniton. Situated in a busy
commercial sector in Beirut. Murad’s apartment-style atelier houses the main
departments and day to day activities and creations. Today over 100 dynamic and
dedicated employees continuously contribute to the success of the zuhair Murad
Fashion House. The team ensures everything from conceptual design embroidery
and accessories to the administrative and public relations functions.
http://www.fashionmodeldirectory.com/designers/zuhair-murad/
http://www.fashionmodeldirectory.com/designers/zuhair-murad/
Zuhair Murad
SPRING/SUMMER 2016 READY-TO-WEAR
Zuhair Murad - Pre
SPRING/SUMMER 2016
Zuhair Murad
SPRING/SUMMER Bridal Fall 2016
http://www.vogue.com/
‘Fashions fade, style is eternal.' - Yves Saint Laurent
I AM NOT INTERESTED IN COMPETING WITH ANYONE I HOPE WE ALL MAKE IT. ~ ERICA COOK
Happy New Year Fashionistas! I hope you all had a Wonderful Holiday. Let's make a RESOLUTION for 2016 to take time to relax and enjoy our little Fashion Lounge right here where we can put up our feet and take in these magnificent creations of these Fashion Greats and continue to 'Figure Out The Fashion Trend'. Lets meet again real soon. XOXO
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